Register LOS ANGELES, Oct 10 (Variety.com) - "No Time to Die," the latest installment in the James Bond franchise, debuted to $56 million at the domestic box office, a result that fell somewhat
Mr. Bond, we've been expecting you. No film in the 007 franchise has had quite the wait, nor lived under the weight of expectation, like "No Time To Die." A change of director, nearly half a dozen release dates, a studio sale and a global pandemic couldn't defeat the British spy, but he's never been challenged like this before. Six tumultuous years after the last movie, the final chapter of the Daniel Craig era has times it felt like we might not have had this film at all. Craig, in a quote that went far and wide on the tour for "Spectre" in 2015, said he'd rather "slash my wrists" than do another Bond, and his return wasn't confirmed until 2017. By March 2018, British director Danny Boyle was working on a screenplay, then in the summer things began to unravel as "creative differences" emerged."One day Danny left, and for God knows all sorts of very good reasons," recalled Veronique Melery, the film's set decorator. "We found ourselves a bit, I mean, more than lost, waiting for a new director to come in."A month after Boyle's departure in August, Cary Joji Fukunaga of "True Detective" and "Beasts of No Nation" fame was announced as his replacement. He wrote a new story alongside series stalwarts Neal Purvis and Robert Wade, and the shoot began in early 2019. "It was a completely new job," Melery said. "What we did before Cary entered was not relevant anymore."Daniel Craig as James Bond in "No Time to Die." Credit MGM/UniversalSeries gatekeepers, producers Barbara Broccoli and Michael G. Wilson, say each script begins with two questions 1. What is the world going to be afraid of in two or three years when the film comes out? And 2. What are the emotional and personal challenges Bond will face?"The combination of those two things means that we do something fresh each time," said Broccoli. "Of course, now it turned out to be four years hence because of Covid," added Wilson. "You have to get out your crystal ball and take a stab at it. In this particular case, I think we came pretty close to what the world is concerned about."Yes, there is a large irony at the heart of "No Time To Die" that audiences will have to discover for themselves. Without divulging too much, after the prologue we meet up with Bond five years after leaving MI6. But his retirement in a Jamaican idyll is short-lived when an old friend enlists his help after a scientist goes Craig and writer-director Cary Joji Fukunaga talk on set. Credit DANJAQ, LLC AND MGM. ALL RIGHTS RESERVEDAs the last installment in the Craig era's serialized approach to storytelling, there's added pressure to stick its landing. It's also a film advertized as the actor's final appearance. Bond may be an immortal character, but "No Time To Die" represents an notes that stories with long dramatic arcs often conclude disappointingly and was determined to avoid this fate. To do so he returned to the beginning. "I used 'Casino Royale' as his first film as an inspiration of sorts - that's where all these larger arcs are jumping from," he told CNN. "How do we conclude those? Which characters do we bring back? What are the scenarios that were presented over the course of the films that shaped and changed him? And how can these themes be brought back in and see where that leaves us now as a sort of final goodbye?"There was also the question of tone. This is the first Bond post-MeToo - an asteroid if ever there was one for the spy M once called a "sexist, misogynistic dinosaur." The director said that "the more outdated parts of the character were probably weeded out before I came along." Nevertheless, Phoebe Waller-Bridge "Fleabag," "Killing Eve" was brought in to work on the script, and according to Broccoli, inject some British Bond Daniel Craig and Paloma Ana de Armas in "No Time To Die." Credit Nicola Dove/DANJAQ, LLC AND MGM. ALL RIGHTS RESERVEDWhile "No Time To Die" follows the age-old structure of three supporting female characters, it's also keen to set fire to the "rules" circumscribing them. Lashana Lynch's Nomi has taken over the 007 moniker in Bond's retirement, Ana de Armas steals the show in her all too brief appearance as newly-minted CIA agent Paloma, and Lea Seydoux returns as Madeleine Swann in an arc not seen in the films before."I think this movie is 'Bond women,' not so much 'Bond girls,'" argued de Armas. "They're highly skilled, they're powerful and they all show it in their own way. They're equals to Bond ... Times change, and I think that is reflected in the film."But for every progressive element, this is a series grounded in tradition. Location manager Charlie Hayes came on board during what he diplomatically calls the "period of restart." "The script was still in flux," he recalled, and he, Fukunaga and production designer Mark Tildesley kicked around where Bond might go next. Alongside new locations the Faroe Islands there are places more familiar, like Jamaica, long considered the spiritual home of Bond by virtue of his creator Ian Fleming having a villa a UNESCO World Heritage Site in southern Italy, pictured in a scene in "No Time To Die." Credit MGM/UniversalMelery decorated Bond's Jamaican home. It's a rare opportunity; while the books describe the spy's Chelsea apartment, the films have only visited his house on three occasions. "Bond is this character who travels, who doesn't carry his past with him, doesn't really settle easily," she said. That's all changed. "I hope that even if it's really short moments, we understand a bit of this person when we see where he lives." The setting is indicative of a pivot to sharing more of the characters' private lives. In "No Time To Die" we visit Q's apartment complete with a work from home set up many would kill for, and Melery and Tildesley injected more personality into M's office. A Paul Nash painting "Battle of Germany", an abstract work from 1944 of a city under attack, was selected to hang on his wall and features prominently. Nash aficionados will discover the painting speaks to multiple themes within the film. "Nothing is gratuitous," Melery said of her work. "It's a direct connection with himself," she added, explaining the movie shows "a certain kind of failure" and "emotional weakness" from the MI6 chief "which we are not used to."Elsewhere, there are callbacks to the work of the franchise's first production designer, Ken Adam. For the lair belonging to villain Safin Rami Malek, Tildesley and Fukunaga wanted to return to the Brutalist movement that influenced Adam look hard enough and you can find a direct reference to "Dr. No". Full of bare concrete and sharp angels, it's the kind of set few blockbusters pull off these days. With Paul Nash's "Battle of Germany" to their backs, M Ralph Fiennes, Moneypenny Naomie Harris and Tanner Rory Kinnear inside M's office. Credit Nicola Dove/DANJAQ, LLC AND MGM. ALL RIGHTS RESERVEDBut Bond operates on a different scale to most. Hayes worked with all three branches of the British military, and a C-17 RAF warplane and a Royal Navy Type 45 destroyer both have supporting roles. A car chase through Matera in southern Italy meant commandeering the main road running up and down the hilltop town and UNESCO World Heritage Site. For an early scene involving figures in military garb abseiling down a London skyscraper, a team hung cameras from buildings in Canary Wharf and stitched the shot together with actors on a studio set. The name Bond "definitely gets you through the door," Hayes said. "They know you're professional, they know that they're in good hands."Characters abseiling down a skyscraper in a scene in "No Time To Die." Credit MGM/UniversalIt's the scale of the film - as well as the occasion - that its creators hope will entice audiences back into cinemas after three release dates April 2020, November 2020 and April 2021 were nixed due to the pandemic. "We literally shot on IMAX," said Fukunaga. "Just being around an audience and feeling the laughs and the tension and that sort of collective, contagious energy of being in an audience ... I think the film plays very well to all those things."Even the actor behind Q believes it's time for audiences to put the gadgets away. "This one has an incredible scale and spectacle and visual imagination," Ben Whishaw said. "It would be really so disappointing if people were watching it at home or, even worse, on their phones on YouTube."With UK cinemas hiring extra staff to cover bumper ticket sales, early indications are good. Where the franchise goes next is less certain. Amazon, which recently bought MGM Studios co-owner of the rights to Bond, says it is committed to the theatrical release of future titles. Meanwhile, Broccoli says the new face of Bond won't be considered until Swann Lea Seydoux and James Bond in "No Time To Die." Credit DANJAQ, LLC AND MGM. ALL RIGHTS RESERVEDFor now, the limelight is firmly on Craig, an actor who has overhauled the spy and seems to finally be at peace with the franchise just as he makes for the exit. "He Craig brought a modernity to the character that we haven't seen in previous iterations," said Fukunaga. "He showed us a very complicated man, with damage and with a heart - a beating heart - as well as being an effective killer." How will he be remembered? "I think very fondly.""With his portrayal we've really been able to explore the emotional life of Bond. We've seen him cry in films. We've seen him bleed," said Broccoli. "We've seen him be very vulnerable. And I think that's one of the trademarks of his extraordinary reign." And now it's all over. The film is soon to be with audiences and Broccoli, Wilson and co. will be back staring into their crystal ball. But for Craig's Bond at least, the job is by Thomas Page and Sandy Thin. NoTime to Die. No Time to Die is a 2021 film in the James Bond series of spy films, and centres on Bond being pulled out of a five-year-long retirement by the CIA to rescue a kidnapped scientist, which sets him on a path to do battle with a powerful adversary in control of a cataclysmic technology that threatens all life on the planet
1. CASINO ROYALEC'est le premier James Bond avec Daniel Craig. Je sais que c’est un acteur qui fait dĂ©bat, notamment pour son cĂŽte “montagne de muscles”, mais j’aime beaucoup ce cĂŽtĂ© plus brut, plus physique du la mĂȘme costumiĂšre que pour les James Bond avec Pierce Brosnan, Lindy Hemming, qui a toujours Ă©tĂ© trĂšs respectueuse des codes tailleurs masculins. Lindy Hemming a travaillĂ© notamment sur le film de Batman avec Christian Craig est toujours habillĂ© par Brioni, nous sommes sur un James Bond bien plus costaud et physique que Pierce Brosnan. Il fallait donc que ce cĂŽtĂ© plus sportif se reflĂšte dans ses vĂȘtements, d’oĂč le fait qu’il porte pas mal de ce premier film avec Craig, l'enjeu est important parce que c’est lĂ  oĂč James Bond acquiert son matricule 007, le personnage a une vraie Ă©volution et ça doit se voir dans le film. Ça commence avec une scĂšne en noir et blanc dans laquelle il porte un caban, manteau des jeunes officiers de la marine, en rĂ©fĂ©rence Ă  son passĂ© met des chaussures John Lobb, une marque anglaise lĂ  aussi trĂšs haut de gamme, modĂšle Ramsey, qui sont les chukkas de la marque. Ça fait sens, c’est une paire Ă  la fois habillĂ©e et son costume en lin et sans cravate montre le cĂŽtĂ© moins cadrĂ©, plus jeune et QUANTUM OF SOLACEOn passe ici de l'italien Brioni au crĂ©ateur amĂ©ricain Tom Ford pour les costumes. Avant tout Tom Ford sait faire des vĂȘtements trĂšs intemporels, mais Ă  la fois contemporains, en maĂźtrisant parfaitement tous les codes des iconiques d’une garde-robe pour revers se font bien larges, les rabats de poches Ă©galement avec une coupe qui met bien en valeur les physiques athlĂ©tiques. Avec la signature TomFord, cette fameuse boutonniĂšre milanaise, faite Ă  la main, qui est trĂšs inclinĂ©e. Je vous invite Ă  lire ce super article de Julien costumes sont en mohair tonic, tissu Ă  la mode dans les annĂ©es 60, qui a une maniĂšre de prendre la lumiĂšre trĂšs particuliĂšre. C’est un mĂ©lange de mohair et de laine, lĂ©ger Ă  porter, avec une main nerveuse et qui sĂšche trĂšs vite, fabriquĂ© par tenues dĂ©contractĂ©es, quelle surprise de voir qu’il porte une veste Adidas noire de la gamme Y-3, un peu plus design on va dire. Pour le coup c’est une veste trĂšs sobre, dont la coupe est parfaite sur dessous, comme d’habitude, il porte un polo Sunspel, modĂšle Riviera que j’aime bien parce que la maille est bien il porte un jean blanc ! J'ai toujours dit que le jean blanc c’est le feu, et c’est pour ça qu’on en propose un depuis longtemps. LĂ , c’est un Levis 307 de la gamme Sta Prest, fait d'un tissu qui n’a pas besoin d’ĂȘtre repassĂ©. Dans les faits, ça ressemble Ă  un pantalon blanc assez basique, je ne m’extasie pas pantalon est aussi signĂ© C'est assez surprenant, parce que ne fait que de la maille et ils n’ont absolument pas l’habitude de faire du pantalon en tissu, c’est limite un autre une piĂšce qui a donc totalement Ă©tĂ© imaginĂ©e pour le film dans une toile de coton assez dense, qui me fait presque penser Ă  du Ventile. Dans les faits, c’est un pantalon trĂšs tapered, avec une ouverture Ă  la chemise de 15 cm, ce qui est trĂšs Ă©troit, d’oĂč les zips aux un pantalon Ă  presque 300 € fabriquĂ© en Chine, je trouve que les finitions ne sont pas Ă  la hauteur, notamment au niveau des bords des tissus coupĂ©s. Il y a aussi beaucoup de dĂ©tails qui ne sont pas forcĂ©ment justifiĂ©s d’un point de vue fonctionnel, comme cette curieuse finition dans la poche cargo ou la poche cheville, soi-disant pour y mettre ses dit, je reconnais que c’est un pantalon vraiment unique avec un vrai propos sur le design et la coupe, trĂšs visuel, et taillĂ© pour les projecteurs. Et je trouve que ça va trĂšs bien Ă  Daniel il porte un henley Rag and bone, des gants de la marque Mil spec, grossiste de matĂ©riel pieds, il porte des Danner tactical boots, un modĂšle spĂ©cial pour le film. C’est de la vraie chaussure d’intervention urbaine, montante, qui je trouve s’assemble parfaitement avec le pantalon Ă©troit.
While“No Time to Die” was supposed to open next month after being pushed from April 2020, the film has now been delayed until April 2, 2021. Craig recently spoke up on “The Tonight Show with Jimmy Daniel Craig's James Bond era is the saga of a man eternally in the need of a break. Craig's 007 has attempted to retire numerous times before, and his latest effort to leave the espionage world forever at the beginning of No Time to Die will inevitably also fail. But how exactly did they pull him back in? New No Time to Die plot details reveal the reason that Bond is back for one more go-around and a last one for Craig, and what it has to do with Chrisotph Waltz's returning Spectre villain Blofeld. Entertainment Weekly debuted a glitzy new look at the cast of No Time to Die in its cover story on the 25th James Bond outing, which was filled with more details about the film's mysterious plot than ever before. The film picks up "some time after" the events of 2015's Spectre, when he had he left the espionage world behind to begin a new life with LĂ©a Seydoux's French psychologist Madeleine Swann. No Time to Die finds Bond retired and living in Jamaica, but producer Barbara Broccoli hints that Bond and Swann are no longer getting along so swimmingly "He decided to go off with her and try to have a normal life. Which, of course, we completely blow a hole through at the beginning of this one. He starts off on a romantic journey with Madeleine and then believes that he's been betrayed by her." Seydoux adds cryptically, "S— happens! Everything falls apart." Are his romantic troubles what bring Bond back to the spy game? Not exactly — according to EW, it was Bond's old CIA friend Felix Leiter Jeffrey Wright, who asks him for help to rescue a kidnapped scientist David Dencik, Top of the Lake. This takes Bond to Cuba where he follows the trail of Rami Malek's mysterious scarred villain Safin who may or may not be Dr. No, per fan theories. "Let's just say that there are some immense challenges [he] has faced in his life," Malek said of his Big Bad's prominent facial scars. No Time to Die is packed full of Bond villain's, with Christoph Waltz's SPECTRE chief Ernst Stavro Blofeld set to return after his appearance in Spectre. After his life was spared by Bond in the last installment, Blofeld has been languishing in Belmarsh Prison. But the baddie is up to something, Broccoli says, who confirms that "he's actually communicating to the SPECTRE agents" from within the prison. The film also features the return of Ralph Fiennes, Naomie Harris, Ben Whishaw, and Rory Kinnear, reprising roles from previous films in the franchise, along with newcomers Ana de Armas, Lashana Lynch, David Dencik, Dali Benssalah, and Billy Magnussen. No Time to Die opens April 8, 2020.

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MGM The "Bond" movies easily rank among the most nostalgic franchises currently being made, which is fitting for a character and a legacy that's so steeped in tradition. Fans have come to expect references and callbacks to the James Bond films they grew up watching, and repeatedly returned to. Out of Daniel Craig's 15-year tenure as the superspy, 2012's "Skyfall" was most emblematic of this mindset as its release coincided with the 50th anniversary of the franchise. With the imminent release of "No Time to Die" representing Craig's final appearance as James Bond, it's been easy to assume that the movie would pay homage to everything that's led up to this moment. According to the "Bond" producers, fans will want to keep an eye and an ear out for some telltale Easter eggs from throughout Bond history. "A Celebration of Everything That's Come Before" MGM /Film's Jack Giroux had the opportunity to speak with "Bond" producers Barbara Broccoli and Michael G. Wilson in an extensive interview after the premiere of "No Time to Die." Both producers were asked if there was an increased emphasis on taking cues from the past throughout "No Time to Die." From their response, it certainly sounds like fans will want to brush up on their "Bond" history and stay on the lookout for several references — from the Sean Connery era to George Lazenby to Roger Moore to Daniel Craig to ... well, everything in between. Wilson said "Oh, that's a lot of things that harken back to the past. 'On Her Majesty's Secret Service,' [the theme song] 'We Have All the Time in the World.' Some of the music themes from 'Casino Royale' come back. So there are those triggers too. And also, there are all through it, some elements from Bond history. We're never far from that, the Aston Martin, and we had more gadgets this time than usual in the Daniel films. So we have been harking back to a lot of the old ones." The specific mention of "On Her Majesty's Secret Service" is particularly fascinating. The one-time divisive entry into "Bond" canon far removed from the uproar surrounding Sean Connery's absence, it stands as one of the best in the franchise features a storyline and especially an ending that feels shockingly conclusive. It stands to reason that director Cary Joji Fukunaga would pull from certain aspects of that film, even if it's only in the form of musical cues. Broccoli went on to add "I think also we wanted to honor all the people that really started this franchise, whether it was starting with Cubby [Broccoli] and Terence Young and Ken Adam and John Barry. I think that there are little touches of all of them within this film. It really is a celebration of everything that's come before." If "No Time to Die" didn't already feel like an emotional farewell to a legendary addition to the franchise, these quotes leave no doubt about it. Daniel Craig's swan song comes to theaters on October 8, 2021.
Craigpreviously sported the luxury British style brand’s garments in 2012’s Skyfall and 2015’s Spectre.But for his final portrayal of Bond in
The opening action sequence in the James Bond film "No Time To Die" was shot on location in Matera, Italy. 10 versions of the Aston Martin DB5 were used for the chase's demanding stunts and special effects. To provide extra traction, the stunt team dumped 8,400 gallons of soda on Matera's ancient streets. Visit Insider's homepage for more stories. Loading Something is loading. Following is a transcript of the videoNarrator This is the climax of the opening car chase in "No Time To Die." To pull this off with hardly any CGI, the Bond crew had to figure out how to imitate bullet impacts and then line each one up with the car's prop machine Corbould I think the beauty of this sequence is it is probably 95% for And that's just one element of an opening sequence that involved 10 versions of the Aston Martin, hundreds of fake bullets, and 8,400 gallons of soda. Here's how they did it. As soon as director Cary Fukunaga found Matera, Italy, he knew the claustrophobic paths and steep slopes were the perfect place to put 007 in peril. Corbould We went out to Matera probably 13, 14 times, finding locations, dreaming up That's Chris Corbould, special effects and car supervisor for "No Time To Die." While Corbould has overseen tank chases and record-shattering explosions for the Bond franchise, this shoot presented a surprising challenge cobblestone streets. Matera's ancient streets weren't suitable for vehicles going 80 miles per hour. While beautiful, the roads were also slippery, with less traction compared to modern asphalt roads. So stunt coordinator Lee Morrison came up with an unusual solution. Soda. He sprayed 8,400 gallons of sugary soda on the cobblestone. Once dried, the sugar made the surface extremely sticky, giving the tires much better grip. The drivers could then make sharp turns, drift, and go up narrow I was skeptical at first myself about it, but when I saw it, it absolutely paid Once the roads were suitable for driving, Bond could ride on a motorcycle and execute a daring jump to reach the town square. The memorable moment was done without a green screen. Craig's stunt double had to jump a 25-foot ramp going exactly 60 miles per hour and then drop down 12 feet onto the road above. To hide the ramp, filmmakers added this arch as a clever VFX cover. After four takes, they had the shot they needed. The next part of the chase sees Bond hop in his Aston Martin, but the crew couldn't use just one car for this. They alternated between 10 versions depending on the shot. Two of them were the real version, used for beauty shots. The rest were replicas. Two had driving pods on the roof, so a stunt driver could drive at high speeds while the cameras captured Daniel Craig pretending to steer; four were driven by stunt drivers inside the car for exterior shots; and two had all the gadgets built into them. One such gadget was the mine dispenser, which Bond activates here, causing this black car to flip. In reality, those mines were made with rubber, and these simulated explosions were electrical charges set to go off as the car drove over them. The flip provided another issue. Because the car was going so fast, it couldn't be attached to a fixed point, so cables, which were usually effective, weren't an option. So the crew needed a different approach to flip the car without losing speed. They placed a nitrogen cannon facing down under the driver's side. When activated with the push of a button, it lifted the car into the The stunt coordinator wanted to keep it a bit more realistic and have it look like it was just lifting up onto its But a dangerous stunt like this meant they had to protect not only the stunt driver, but also the city's old Some of those buildings are over 1,000 years old. And Bond has a history and prides themselves on not damaging anywhere they go. Narrator So they padded the buildings with protective concrete barriers, dressed up by the art department to look just like the existing architecture. This layer of protection was especially crucial for one of the sequence's biggest moments, where Bond does a full doughnut in the DB5 while firing the car's headlight machine The mechanics of the revolving ones gave us a huge amount of firepower for the bullet Each bullet impact had to be synchronized with the exact spot the guns were pointing. The effects team couldn't be off by even a second, or they'd risk ruining the illusion. First, they used a line lock on the car's brakes, which helped keep the doughnuts consistent for each take. The stunt car's hydraulic hand brake locked off the car's left front wheel. Once the driver released the brake, the car could spin on its It's almost like a pivot. So when you press the throttle to the floor, you're actually pivoting around that wheel that's locked off. Narrator The car also had to move in sync with the We had a line where we knew the guns were lined up, and we knew that it took one and a half seconds to get from there to the next So Corbould planted squibs simulating bullet impacts all around the square. Each of these was attached to a firing box. Because they were set to an automated timer, the devices would fire only when perfectly lined up where the guns pointed. Meanwhile, the stunts and effects team had to ensure the safety of the actors and stunt drivers. Right before going into doughnut mode, Craig and Léa Seydoux had to be seen from the inside of the car as the DB5 got shot up. So Corbould fired about 200 pellets at the windows. Each fake bullet created a bullet-hole-like shape before shattering, and the car's windows were layered with a strong plastic called It would break the glass, but there was certainly no way that it would get through the plastic. Narrator While that was happening, a crew member vibrated the car in sync with each impact. Finally, there was the Connery-era smoke screen, which Bond employs to make a getaway. The screen needed to let off way more smoke than an actual car exhaust. So Corbould took off the car's exhaust and replaced it with injectors used to make smoke effects in We're using the heat coming out of the engine to make the smoke in the Funnily enough, these final shots of Bond and Madeleine speeding away were filmed before any of the preceding action was The last thing that we wanted to do was lose one of our cars in the first part of the sequence, because you never know how many you're going to use up. Narrator So they ended up faking the damage. First, the crew put vinyl wraps on the car and scratched them up. Then a mixture of glue, glitter, and glass shards created the illusion of bullet If you got really up close to them, you could probably see that they weren't real. But, you know, the speed they were going at, they held up All of this work was done for just the beginning of the movie, showing just a sliver of how much thought goes into a James Bond stunt - and how much soda, too. Deal icon An icon in the shape of a lightning bolt. Keep reading JaguarXF. Since Jaguar and Land Rover merged in 2013, it's no surprise to see both car manufacturers represented in No Time To Die. During the trailer's opening chase through Italy, Bond and Swann in the DB5 are being pursued by a range of vehicles including the Jaguar XF, which seems to be the car of choice for professional guns for hire.
The mission that changes everything begins
 Who's Involved Ralph Fiennes, Billy Magnussen, Phoebe Waller-Bridge, Daniel Craig, David Dencik, Lashana Lynch, Naomie Harris, Rami Malek, Jeffrey Wright, Ana de Armas, Michael Wilson, Ben Whishaw, Cary Joji Fukunaga, Scott Z. Burns, Robert Wade, Barbara Broccoli, John Hodge, LĂ©a Seydoux, Rory Stewart Kinnear, Neal Purvis, Rory Kinnear, Dali Benssalah PG-13 PARENTS STRONGLY CAUTIONED MPA sequences of violence and action, some disturbing images, brief strong language and some suggestive material. Runtime N/A Language English ContentsPlotCast/CrewTrailers ProductionReleases Photos Q / A Plot What's the story about? In No Time To Die, Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology. / 5 stars 22 users Poll Will you see No Time to Die? Who stars in No Time to Die Cast List Who's making No Time to Die Crew List A look at the No Time to Die behind-the-scenes crew and production team. The film's director Cary Joji Fukunaga last directed Maniac and Beasts Of No Nation. The film's writer Neal Purvis last wrote Spectre and Skyfall. Producers Barbara Broccoli Michael Wilson Watch No Time to Die Trailers & Videos Production What we know about No Time to Die? Key Facts Universal Pictures will release the pic overseas 12/9/2018. Neal Purvis and Robert Wade have teamed up on the screenplays for the last six Bond installments, starting with 1999's The World Is Not Enough 7/25/17. Filming Timeline September 2021 The film was in Completed status. October 2019 The film was in Post-Production status. April 2019 The film was in Production status. Principal photography on the 25th James Bond film begins on April 28, 2019. February 2019 The film was in Pre-Production status. Starts shooting March 4, 2019. June 2018 The film was in Pre-Production status. March 2018 The film was in Development status. Danny Boyle has confirmed that he’s going to direct the next Bond movie. John Hodge is writing the script. July 2017 The film was in Development status. A release date of November 8, 2019 has been announced. October 2012 The film was in Announced status. Screenwriter John Logan Gladiator, Hugo has signed on to write not one but two 007 films with a two-movie arc. Q&A Asked about No Time to Die Mar. 11, 2020 What pistols does James Bond use in this movie? Sep. 8, 2020 Machine gunspoiler Looking for more information on No Time to Die? When you buy through links on our site, we may earn an commission. As an Amazon Associate, we earn from qualifying purchases. Official Movie Site + Social Media Links Official Site Official Twitter Official Facebook Official Instagram Official YouTube Channel Across the Web Get Tickets + Showtimes Get Digital Copy Buy on Amazon More Info on IMDb
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